In today’s Metro I embark on a tour of Soho to see how London’s Oscar-winning visual effects firms are lighting up cinema screens around the world.

Visual Effects Feature in The Metro

Central London is home to many of the movie world’s most innovative visual effects firms. With the 89th Academy Awards this Sunday I wanted to understand more about what goes into making VFX-heavy Hollywood films.

In researching the feature I spoke to Foundry co-founder Simon Robinson. His company’s software titles Nuke, Mari and Katana are used by post-production houses the world over – in fact, every film nominated for a best VFX Oscar in the last six years has used its software.

I also spoke with Matt Fox, joint MD for film at Framestore; his team worked on year’s Best VFX Oscar nominee Doctor Strange as well as 2013’s six-time Oscar winner Gravity.

As well as talking technology I also learnt about the immense manpower required to turn around a typical movie, and ethics around the digital character resurrection that saw Peter Cushing and Paul Walker brought back to life for the big screen.

The 2017 Oscars take place this Sunday 26th February 2017, with five films nominated for Best Visual Effects: Doctor Strange, Rogue One: A Star Wars Story, Deepwater Horizon, The Jungle Book, and Kubo and the Two Strings.

Read the full story in the Metro e-edition here.